The Hotel Chelsea is where just about every artist of any significance lived, stayed, or at least hung out; hosting everyone from Mark Twain to Arthur Miller to Patti Smith, Tom Waits, Leonard Cohen, and even Madonna. Its walls are still adorned with artworks donated by generations of well-known visual artists. And what’s perhaps most impressive about the freshly renovated Chelsea is how much of this romance remains intact, even as it’s been updated for 21st-century boutique-hotel travelers.

In Dimes Square there’s a buzz that’s reminiscent of some of Downtown’s earlier golden ages — and, in Nine Orchard itself, there’s a hotel with enough character and personality to become a proper neighborhood institution. What was once the Jarmulowsky Bank building retains much of its century-old grandeur. As ornate as the façade and the public spaces may be, particularly the historic bank lobby with all its vaulted wonder, the rooms opt for something a little more subdued.

Hard to believe an architectural gem of the Beekman’s stature went neglected for so many years, but we’re happy to report that it’s back in business. The Beekman, a Thompson Hotel, is an Old New York original, an 1881-vintage skyscraper from the days when a skyscraper meant nine stories of terraced red brick. And if the silhouette doesn’t convince you of its landmark status, a glance upwards surely will, as you walk across the towering central atrium with its pyramidal glass skylight.

The Maritime Hotel was designed in 1966 for the National Maritime Union; hence its name and nautical theme. This is not a traditional hotel — all rooms face westward, looking over the Hudson through five-foot porthole windows. The rooms are compact, but well-designed, with built-in furniture, so that all the necessities easily fit into the space. The décor almost borders on kitsch, but is actually quite charming; some suites sport a comprehensive collection of National Geographic magazines.

Lower Manhattan’s iconic Battery Maritime Building, a 1906 ferry terminal in an ornate Beaux-Arts style, is the venue for Casa Cipriani, a members’ club and luxury boutique hotel by the legendary Italian restaurateurs and hoteliers. Inside is probably the purest dose of contemporary Italian luxury design this side of Milan; the rooms and suites are remarkably restrained, in contrast with the building’s exterior ornament, and those that face the river offer a view unlike any other hotel in town.

The Greenwich Hotel has a celebrity owner (none other than Robert DeNiro), a prime Tribeca location, impeccable design credentials courtesy of one of New York’s top firms, Grayling Design, and some truly obsessive construction, having something to do with thousands of very expensive handmade bricks. The rooms start at luxurious and end at comically luxurious. There’s not just a spa but a pool as well — not exactly common in New York, but then not much about the Greenwich is.

Governors Island isn’t typical of New York neighborhoods — set between Brooklyn and the Statue of Liberty, and technically part of Manhattan, the city park enjoys unparalleled views and an inimitable atmosphere. Collective Governors Island offers the sort of grown-up summer-camp experience you’d ordinarily drive to the Catskills to find, accompanied by live entertainment and cocktails on the Sunset Terrace. Tents and cabins feature air conditioning, en suite bathrooms, and high-end amenities.

There are now three Firmdale hotels in New York. But there used to be only one: the Crosby Street. The arrival of Kit Kemp’s eclectic design eye, ultra-vivid color sense, and affinity for prints and patterns may have put an end to the downtown Manhattan mania for minimalist, monochrome luxury-hotel spaces. Crosby Street’s warehouse-style windows are a fine fit for industrial-influenced SoHo. But behind them: the strong dose of English town-meets-country luxury New York didn’t know it needed.

Architecturally, the Fifth Avenue Hotel spans more than a century, combining a 1907 Renaissance-style mansion by the original Penn Station architects with a modern 24-story glass tower. Inside, the Gilded Age glamour of its public spaces serves as the inspiration for designer Martin Brudnizki’s fantastically colorful and ornate rooms. From the humblest queen room all the way up to the signature suites — one named for Baudelaire — they are rich with detail and full of high-end comfort.

The Standard High Line is a bold architectural statement — an eye-popping structure that leans unapologetically into brutalism, like a slightly bent UN building on stilts, or a giant, deactivated robot, waiting quietly to be turned on and turned lose. Even the interiors feel a bit utopian, decked out in a retro-future style that pays homage to Scandinavian mid-century modernism — a welcome departure from the faux-Romantic grittiness that seems to prevail in the Meatpacking District.

The Jane resembles an old-fashioned ocean liner, in that it has two very distinct classes of accommodation. The tiny cabins and bunk rooms are ideal for budget travelers and young revelers for whom a Manhattan location trumps all else, while the first-class Captain’s Cabins rooms offer a more typically lavish New York boutique-hotel experience. The star of the show, though, is the nightlife, which manifests regularly in the legendary Jane Ballroom.

Their first city hotel in the Americas, Aman New York is another chapter in the evolution of Aman Resorts, a hospitality brand that sits at the very top of the top-tier hospitality brands. For their Manhattan outpost they’ve created a self-contained world of luxury right in the heart of midtown, discreetly tucked away inside the upper floors of a Beaux-Arts skyscraper from 1921, a quietly elegant setting that compares favorably with some of its gaudier neighbors.